Op.1 |
Già la notte d'intorno |
| for female voice and instrumental ensemble |
Op.2 |
Dieloquio |
| for flute and harpsichord (or piano) |
Op.3 |
Messere Lustro |
| for piano solo |
Op.4 |
Sinodia |
| for harpsichord and strings |
Op.5 |
Quartetto |
| for seven wind instruments (four performers) |
Op.6 |
Epillio |
| for three flutes |
Op.7 |
Libero arbitrio |
| for piano solo |
Op.8 |
Due sonetti |
| for voice and piano |
Op.9 |
Sovrattempo |
| for two violins and harpsichord |
Op.10 |
Concerto |
| for violin and orchestra |
Op.11 |
Ad libitum |
| for piano solo |
Op.12 |
553:Film |
| for piano duet |
Op.13 |
Concerto |
| for piano and orchestra |
Op.13 bis |
Concerto |
| for piano and chamber ensemble |
Op.14 |
Note complici |
| for young pianists |
Op.14 bis |
Suite americana |
| for oboe, clarinet and bassoon |
Op.15 |
Triomagno |
| for clarinet (or violin), violoncello and piano |
Op.16 |
Combo |
| for trumpet (or alto saxophone), piano and percussion |
Op.17 |
Rondissimo |
| for clarinet, bass clarinet (or soprano saxophone, tenor saxophone) and strings |
Op.18 |
Sesquialtera |
| for flute and harp |
Op.19 |
Tre cadenze in forma di canzona |
| for flute, violin and guitar |
Op.20 |
Rintocchi |
| for percussion and orchestra |
Op.21 |
Concerto |
| for accordion and orchestra |
Op.22 |
Il filo |
| Ballet in one movement |
Op.23 |
Missa "e veterum more" |
| for female voices and instrumental ensemble |
Op.24 |
All'apparir del vero |
| for flute, guitar, harpsichord and strings |
Op.24 bis |
All'apparir del vero |
| for flute orchestra |
Op.25 |
Sei pezzi |
| for a single wind instrument |
Op.26 n.1 |
Scherzo I |
| for piano solo |
Op.26 n.2 |
Scherzo II |
| for piano solo |
Op.27 |
Divertimento |
| for violin and orchestra |
Op.28 |
Il sogno di Sarah |
| Four scenic pictures |
Op.29 |
Trio concertante |
| for harpsichord, piano and violoncello |
Op.30 |
La meraviglia e il dubbio |
| Scenic cantata in two parts |
Op.31 |
Il brutto anatroccolo |
| Ballet in five scenes and three interludes |
Op.31 bis |
Ma come è grande il mondo! |
| for chamber orchestra |
Op.32 |
Canti da Pessoa |
| for two sopranos, bass, clarinet, violin and violoncello |
Op.33 |
Clip |
| for strings |
Op.34 |
Tremulamente |
| for two performers: clarinet and tubular chimes, violin |
Op.35 |
Sintesi |
| for piano solo |
Op.36 |
Ritorni |
| for piano or harpsichord |
Op.36 bis |
Ritorni |
| for percussion |
Op.37 |
Ludio (I e II) |
| for violin solo |
Op.38 |
Postludio - nel ricordo di un violino |
| for piano solo |
Op.39 |
L'Avvenimento |
| Poem in twelve sections for piano and narrator i |
Op.40 |
Racconto I - Racconto II |
| for piano solo |
Op.41 |
L'Avvenimento - Opera |
| Chamber opera in six scenes and epilogue |
Op.42 |
La posta in gioco |
| for violoncello and accordion |
Op.42 bis |
La posta in gioco II |
| for violoncello and wind orchestra |
Op.43 |
La tua immagine |
| for piano, or harpsichord, or spinet |
Op.44 |
L'eterno cercare senza mai trovare |
| for accordion (or piano) and four percussionists |
Op.45 |
In attesa dell'alba |
| for strings |
Op.46 |
Foglio d'Album |
| for trumpet (or oboe) and strings |
Op.47 |
Enigma |
| for orchestra |
Op.48 |
Sette pezzi facili |
| for violin and piano |
Op.49 |
Concerto |
| for guitar and strings |
Op.49 bis |
Concerto |
| for guitar and strings, with obbligato trumpet |
Op.50 |
The Man Who Loved Islands |
| for narrators (from one to three) and piano |
Op.51 |
Tre pezzi |
| for flute and guitar |
Op.52 |
L'uomo che amava le isole |
| Narrative-Opera for narrator, soprano and orchestra |
Op.52 bis |
L'uomo che amava le isole |
| for narrator, soprano and piano |
Op.53 |
Il ritorno di Casanova |
| Opera in two acts and epilogue |
Op.53 bis |
Spirito e materia |
| for chamber ensemble, or orchestra, or strings |
Op.54 |
L'ago della bilancia |
| for harp and percussion |
Op.55 |
Contesa |
| for two accordions |
Op.56 |
Destini |
| for voice and piano |
Op.57 |
Due preludi a Puccini |
| for voice and orchestra |
Op.58 |
Odisseo |
| Opera in a prologue and three tableaux |
Op.59 |
Talk Show |
| Opera in one act |
Op.60 |
Blu Giotto |
| for instrumental ensemble |
Op.61 |
F.S.S.P.A. |
| Opera in one act |
Op.61 bis |
I cori della banalità |
| for female voice, mixed chorus, wind quintet, timpani and organ |
Op.62 |
Una questione d'onore |
| Chamber opera in one act |
Op.63 |
Não sou nada |
| Song cycle in four Notebooks for soprano and piano |
Op.63 bis |
Não sou nada |
| Sette canti for soprano and guitar |
Op.64 |
Shakespeare & Gossip |
| Chamber opera in three tableaux and epilogue |
Op.64 bis |
Shakespeare & Gossip Suite |
| for chamber orchestra |
Op.65 |
Ma di che cosa si tratta |
| for strings and continuo, ad libitum |
Op.66 |
Il testamento |
| A theatrical play with musical arias |
Op.67 |
Scambio di ruoli |
| for harp and percussion |
Op.68 |
Diario 2014 |
| for piano solo |
Op.69 |
Corsi e ricorsi |
| for flute orchestra |
Op.70 |
Contesa seconda |
| for chamber ensemble |
Op.71 |
Il direttore |
| Chamber opera |
Op.72 |
Moving Out |
| A theatrical play with arias and duets |
Op.73 |
L'ascensore |
| Opera in three condominium meetings |
Op.74 |
Missa ad vitam |
| for mixed chorus and organ (ad libitum) |
